LISTEN is a sound book, a graphic score transcribing everyday sounds, on 32 pages. It is the codifying of sound into graphics, the graphics then becoming the multiple of the sound.

256 Pages, 8.00 x 10.00 in, 175 color + 50 b-w illus. The first major publication devoted to weaver and designer Dorothy Liebes, reinstating her as one of the most influential American designers of the twentieth century

Made over the course of a quarter century between 1950 and his death in 1976, Josef Albers’ groundbreaking series Homage to the Square comprises 2,000 oil paintings. His quest for continuous reflection and refinement inspired numerous young Minimalist and Conceptualist artists in their search for a reduced formal language. This outstanding volume explores the secrets of Albers’ subtle aesthetic and the questions it poses: what is the significance of the square? How did Albers’ thoughts on color and its use as a material evolve over this span? Featuring studies on paper, archival materials and essays by Albers aficionados Margit Rowell and Donald Judd, among others, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.

320 pp, Exhibit catalog for new Vermeer show, sold out now in Amsterdam, with 37 pieces from around the world's art museums. Catalog in English for first time, and the first major exhibition since the pandemic.

From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors and land surrounding the buildings that comprise Judd's extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture and decorative objects striking a balance between the building's historical qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd's consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.

Street furniture has the capacity to define a city, to locate it and to anchor us within it. Benches, bollards, streetlights, signs, barriers, postboxes and phone booths constitute a network of goods between architecture and the body.

This volume presents sketches and textile designs by the great Russian French modernist artist Sonia Delaunay alongside her paintings and interior and fashion designs. It demonstrates how she transferred her color philosophy of “Simultanism,” which she developed in her painting, to the mediums and surfaces of modern life. Maison Sonia Delaunay also explores the international textile companies with whom she collaborated, and shows how she explored the relationship between art and industry, and the ways in which she used her many abilities to design a visionary modern life. The book includes the first scholarly essays on Delaunay's collaborations with silk industrialist Robert Perrier and couturier Jacques Heim, who were among her most important collaborators.

This landmark monograph is the first comprehensive survey of Walter De Maria’s exceptionally diverse and visionary art practice, providing an in-depth look at more than 200 works and presenting the first detailed chronology ever published. Cloth hardcover: 10 3/4 × 9 3/4 inches (27.3 × 24.8 cm) Pages: 476

Edited by Ann Temkin. With contributions by Erica Cooke, Tamar Margalit, Christine Mehring, James Meyer, Annie Ochmanek, Yasmil Raymond, and Jeffrey Weiss Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than thirty years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture.

128 p, ills bw, 12 X 19 cm, hb, English.

288 p, ills colour, 23 x 30 cm, hb.

2020, Lynn Gamwell, 510 pp, Princeton, cloth, new edition.