Lewerentz was the reclusive, especially in the contrast with his classmate Asplund. They shared the Woodland Cemetery project but Asplund was the easier for the clients and Lewerentz retreated from architecture, opening a studio producing his own designed metal windows. But at 81, he completed his best work. This is a visual record of the two churches, with some fine writing, esp the reprinted article from the Swedish architecture magazine.